A third sub-tab beside Order and Comparison. Every attribute, metric and statistic for the players on the order form, with no role filter, because when two players finish close the thing that separates them is usually something the role does not weight.
Two halves, as the Compare tab has them. Attributes on the left, statistics and metrics on the right. One full-width table was forty-eight rows of scroll with two thirds of the screen empty beside each figure; halved, both kinds are on screen together and the comparison is between them rather than a mile apart.
Statistics above metrics, the order the drawer already uses. Every metric is a rate over the football in the statistics, so the denominator comes first and everything under it is read against it.
It reads down, not across, and the button proves it rather than asserting it. Order and Comparison are rows-per-player and this is not, which looks like a break until you flip it: players-as-rows needs a hundred and thirty columns and scrolls sideways past the horizon. Players-as-columns adds one column per player, so the layout is the same at two as at eight, which is the requirement from #374 rather than the row direction being it.
Best in the row is marked, and it respects direction — a wall of raw numbers is unreadable otherwise. But never on a season total, and building this is what found it. The first version marked every row and handed Tom Heaton the best goals-conceded record in the squad for never having played: none in no minutes, then Bayındır on a third of a season. A total is not comparable across players who played different amounts, which is #376 restated for a screen that does no scoring. So the mark goes on attributes and rates, and a total shows its figures and claims nothing about them.
Attributes carry their Settings band colours, so a 15 is the same green here as in the drawer, the attribute grid and the Compare tab. Metrics and statistics stay plain, because a per 90 run through a scale built for 1–20 comes out the colour of whichever band happens to cover it (#405) — they lean on the best-in-row mark instead.
The role's own columns keep a rail and their weight, findable without being the only thing on screen — the unweighted rows are why you opened the tab.
The pair picked on Comparison carries over, tinted the same blue and white, and the sample sits under every name for the reason #406 and #407 exist. Click any row to rank everybody by it.